Mod

Oct 10, 2017 — New York. “It doesn’t seem like a coincidence that the Museum of Modern Art would screen a film series called Black Intimacy mere months after the Academy Awards had three films in its Best Picture category—Fences, Hidden Figures, and eventual winner Moonlight—that mostly focused on intimate...

Oct 10, 2017 — Philippe Garrel will introduce this evening’s presentation of a new restoration of his 1979 film L’Enfant secret, starring the late Anne Wiazemsky (image above), and then take part in Q&As later tonight and again tomorrow (with his daughter Esther Garrel)...

Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

Oct 7, 2017 — The Day After is one of two films by Hong Sang-soo screening as part of the New York Film Festival’s Main Slate (the other being On the Beach at Night Alone) and, as Zach Lewis notes at In Review Online,...

Oct 7, 2017 — We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...

Oct 3, 2017 — New York. Paul Schrader’s First Reformed (reviews from Venice and Toronto) has been added to the lineup of the ongoing New York Film Festival as a Special Event. There’ll be a single screening on Friday evening.Lucrecia Martel, whose Zama is part of the festival’s Main Slate,...