The Criterion Collection
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
The Daily
Nov 18, 2019 — A new restoration of the novelist and critic’s debut feature opens in New York on Friday.
Features
Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...
The Daily
Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.
On the Channel
Nov 12, 2019 — Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...
Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
The Daily
Nov 8, 2019 — A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.
The Daily
Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.
Features
Nov 7, 2019 — Two of the most spellbinding scenes in any Hollywood movie: In the first, Judy Garland, bedecked in a cinched, blue-and-white-striped dress, and topped with a long, auburn wig, sings of her longing for “the boy next door,” her adorable, ginger-peachy...