The Criterion Collection
Essays
Jan 11, 1999 — David Lean followed his prodigious adaptation of Charles Dickens’ Great Expectations with this brilliant crystallization of Dickens’ Oliver Twist; or, the Parish Boy’s Progress. It deploys the cinema’s special powers of dash and immediacy to convey all the venturesomeness and...
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Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
The Daily
Nov 18, 2022 — Nikyatu Jusu, Douglas Sirk, Mike De Leon, Donald Sutherland, and Sam Raimi are on our minds this week.
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Feb 20, 2026 — Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.
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Apr 5, 2024 — Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.
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Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.
Jan 5, 2006 — A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.
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Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.
Jul 24, 2025 — Directed by Jack Bond, It Couldn’t Happen Here is a strange and compelling document of the synth-pop duo at the height of their success, as well as a darkly absurdist send-up of provincial England in the Thatcher era.
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Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.