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The Others

May 21, 2020 Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...

May 14, 2020 Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

Apr 3, 2020 Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Mar 3, 2020 American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...

Nov 21, 2019 Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...

Oct 24, 2019 With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...

May 31, 2019 Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

May 2, 2019 When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...

Feb 4, 2019 Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

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