May 25, 1992 Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”

Dec 9, 1991 This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...

Dec 2, 1991 Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...

Jun 3, 1991 Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...

Apr 9, 1990 Few motion pictures have ever matched the 1938 Warner Bros. production of The Adventures of Robin Hood for sheer entertainment. Even today this film ranks high on any list of all-time favorites. Warner Bros. first considered filming The Adventures of...

L’avventura

Essays

Dec 11, 1989 Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Aug 24, 1989 Yasujiro Ozu’s favorite theme of the stresses and strains of parent-child relationships figure prominently in this story of a raggle-taggle theater troupe giving its final performances in a small fishing village.

Rashomon

Essays

Jun 25, 1989 Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There is nothing to do but talk, about a topic which torments two of the wayfarers, who have just been witnesses in a...

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Jun 13, 1988 G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

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