Take Me

Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Feb 6, 2024 — Tanaka Toshihiko’s first film launches a projected trilogy of stories set on the Japanese island of Hokkaido.

Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.

Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.

Oct 26, 2023 — Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

Oct 19, 2023 — Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Sep 21, 2023 — This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.

Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.

Sep 8, 2023 — The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.