F

Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Sep 19, 2016 — Featuring commentary by the Coens, Sonnenfeld, and actor Frances McDormand, this video, created by photographer Grant Delin, highlights the careful planning that went into the film’s construction.

Sep 16, 2016 — Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.

Sep 15, 2016 — Need some respite from the twenty-four-hour news cycle? Bill Hader and Fred Armisen’s hysterical IFC Channel series Documentary Now! returns with some comedic salve for our weary election-season souls.

Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Sep 9, 2016 — To celebrate the release of this revelatory self-portrait that weaves together footage from Johnson’s twenty-five-year career as a globetrotting documentary cinematographer, we’ve compiled a selection of writing about the film.

Sep 8, 2016 — Few political films have remained as incendiary or as relevant as Gillo Pontecorvo’s 1966 film.

Sep 8, 2016 — Mike Leigh’s 1990 comedy Life Is Sweet, showing at the Trylon microcinema as part of a monthlong retrospective of the director’s early films, presents an intimate portrait of working-class life in Thatcher-era north London.

Sep 7, 2016 — Jenni Olson is an acclaimed filmmaker, writer, archivist, LGBT film historian, and online pioneer. Since premiering at Sundance in 2015, her innovative feature-length essay film The Royal Road, which reflects on an array of topics ranging from the Spanish colonization...

Sep 1, 2016 — The Loft Cinema kicks off a monthlong Jim Jarmusch retrospective with a screening of the director’s 1984 sophomore feature, Stranger Than Paradise.