Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 30, 2020 A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...

Jun 29, 2020 The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.

Jun 26, 2020 This week’s history-seeped highlights explore queer cinema legacies, black stories on screen, and marketing movies while a pandemic rages.

Jun 24, 2020 It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).

From the French

The Daily

Jun 23, 2020 Recent translations include intimate remembrances of Chris Marker and Maurice Pialat.

Jun 23, 2020 Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....

Jun 22, 2020 Songbook At first it’s just one of many Fellini-esque dances: a band switches to an upbeat tune, Nino Rota’s “Caracalla’s (La Bersagliera),” and a previously dour party becomes an impromptu circle of ecstatic movement. Though overshadowed in La dolce vita...

Jun 22, 2020 Heartfelt tributes to the great British actor have been appearing since he passed away on Friday.

Jun 19, 2020 Along with Juneteenth and Pride Month viewing suggestions, we’re spotlighting interviews with Euzhan Palcy, Bill Forsyth, the Ross brothers, and more.

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