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May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.

May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.

May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.

May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.

May 10, 2019 — This week has seen surveys of the careers of Abbas Kiarostami and screenwriter Jean-Claude Carrière and deep dives into milestone works by George Cukor and Andrei Tarkovsky.

May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...