The Criterion Collection
Jan 11, 1989 — Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...
Essays
Jun 13, 1988 — G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
Apr 30, 2021 — One Scene Shatara Michelle Ford could not have made their first film without their filmmaking community, in addition to the sustained support and encouragement from members of their chosen family. Test Pattern—which is now available on Kino Now and Kino...
Features
Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...
The Daily
Mar 4, 2019 — Working with Demy, Varda, Godard, Bresson, Resnais, and Pialat, the producer was a formidable force in French cinema.
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.
The actor praises Terry Gilliam’s extraordinary imagination, talks about the subtle beauty and intelligence of Brief Encounter, and examines what made Laurence Olivier’s Shakespearean performances so remarkable.
The acclaimed band talks about Japanese films about family, the rock music in Beyond the Valley of the Dolls, and a festival viewing experience of Carnival of Souls.