The Criterion Collection
Feb 12, 2007 — Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and in truth, I have.
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Essays
Feb 11, 2002 — Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.
Essays
Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
The Daily
May 12, 2025 — Daniel Kehlmann’s new novel The Director reimagines the life of G. W. Pabst, and there’s a minor role in it for Leni Riefenstahl.
The Daily
Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.