On the Line

Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Nov 16, 2022 — Fifty new and recent restorations will screen at the Museum’s first-ever festival of preservation.

Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.

Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.