The Criterion Collection
Sep 26, 2018 — The completion of the project Welles began in the 1970s is one of the major cinematic events of the year.
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
The Daily
Sep 13, 2018 — Michael Moore takes on Trump, Werner Herzog meets Gorbachev, and Astra Taylor asks a big question.
The Daily
Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.
The Daily
Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...