The Criterion Collection
Aug 12, 2017 — The International Jury of this year’s Locarno Festival, presided over by Olivier Assayas and including Jean-Stéphane Bron, Miguel Gomes, Christos Konstantakopoulos, and Birgit Minichmayr, has awarded the Golden Leopard to Wang Bing’s Mrs. Fang—we’ve gathered reviews here. “I’ve been working...
The Daily
Jun 29, 2017 — Dorothy B. Hughes’s 1947 novel In a Lonely Place, “about a World War II flyboy, now a serial rapist and murderer, would have violated just about every commandment in the Production Code,” had Nicholas Ray and screenwriter Andrew Solt stuck...
On the Channel
Nov 22, 2016 — I don’t do psychoanalysis, I do cinema. —Athina Rachel TsangariThis week, over on the Criterion Channel, we’re kicking off Meet the Filmmakers, an exclusive new series of encounters with directors we’re excited to champion. For each program, we’ve enlisted a...
Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...
Features
Jun 4, 2015 — Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.