The Criterion Collection
The Daily
Dec 12, 2022 — Critics, the European Film Academy, and the International Documentary Association spent the weekend listing and awarding.
The Daily
Dec 2, 2022 — We’re sorting through the Sight and Sound poll and reading about Paweł Łoziński, the Sankofa Collective, and the first films ever made.
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
Sep 19, 2022 — Deeply influenced by his French education but primarily interested in the representation of African realities on-screen, this long-overlooked visionary approached a variety of subjects with a style both investigative and declarative.
The Daily
Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.