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Away from Her

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

The Killer

Essays

May 5, 1998 Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.

Jul 24, 2026 Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.

Jul 21, 2026 New restorations of the first three features premiere this weekend, followed by a retrospective next month.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 17, 2026 This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.

Jul 14, 2026 In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jun 25, 2026 On its fiftieth anniversary, Mikey and Nicky is back in theaters, and A New Leaf and Ishtar are screening in New York as well.

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 5, 2026 A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.

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