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Year One

Mar 24, 2022 Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Mar 21, 2022 Weeks ahead of the lineup announcement, trade publications are making educated guesses.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 17, 2022 New restorations of the six films directed by the renowned actress will screen from coast to coast.

First Look 2022

The Daily

Mar 16, 2022 The dark shadow of Putin’s war hangs over much of this year’s program.

Mar 15, 2022 A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Mar 11, 2022 This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.

SXSW Is Back

The Daily

Mar 10, 2022 The Austin festival will stage its first in-person event since 2019.

Second Look

The Daily

Mar 9, 2022 MoMI celebrates ten years of its First Look festival with five selections from previous editions.

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