The Criterion Collection
Features
Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Oct 11, 2023 — New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
Aug 22, 2023 — A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.
Essays
Jul 11, 2023 — Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.
The Daily
May 17, 2023 — Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.
Apr 28, 2023 — One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.
The Daily
Feb 3, 2023 — This week: Jean-Luc Godard, Sara Driver, Kira Muratova, Joyce Chopra, and a new Senses of Cinema.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.