The Criterion Collection
Jan 19, 2022 — Ryusuke Hamaguchi was born in 1978. He made his first major appearance on the global stage with Happy Hour, a 317-minute feature film that premiered at the Locarno International Film Festival and went on to win major awards at numerous...
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
The Daily
Jan 13, 2022 — Berlin announces a “new concept” for this year’s in-person edition, Sundance adds two films, and Slamdance will launch a Channel.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
Jan 12, 2022 — Gifted with the looks and suavity of a young Elvis, the “Wicked Game” crooner shares with David Lynch an obsession with 1950s Americana—and a knowledge of the darkness at its heart.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.
The Daily
Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.
The Daily
Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.
On the Channel
Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.
Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.