The Criterion Collection
Jul 3, 2020 — One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
The Daily
Feb 10, 2020 — The ragman’s son became one of Hollywood’s brightest stars, working most memorably with Wilder, Minnelli, and Kubrick.
The Daily
Jan 14, 2020 — There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...
The Daily
Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...
The Daily
Apr 29, 2019 — The festival will premiere new restorations of films by Luis Buñuel, Vittorio De Sica, Jean Renoir, Andrzej Wajda, and more.