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The Son

Aug 23, 2004 This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.

Fidelio

The Daily

Dec 19, 2025 This week: Kubrick conspiracies, Malickian movies, Spike Lee’s musical moments, and a talk with Rebecca Hall.

A Kind of Requiem

The Daily

Dec 12, 2025 This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Oct 1, 2025 With two films set to open next month, Richard Linklater programs a series of French New Wave classics.

Disparate Moods

The Daily

Aug 1, 2025 On our minds this week: Renoir, Malick, Rozier, and a trip to FIDMarseille.

October Books

The Daily

Oct 23, 2024 This month brings new books on Brian De Palma, Tobe Hooper, unhappy writers, and classic documentaries.

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

May 19, 2023 In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

Feb 8, 2022 This year’s round has given us plenty of firsts (and seconds).

Jan 28, 2022 1. In 1995, director Lars von Trier contacted Thomas Vinterberg, whom he considered the most promising young Danish filmmaker. (Vinterberg had then not yet made his first feature film, The Biggest Heroes, but had directed two well-regarded shorts, Last Round...

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