The Man

Jan 6, 2003 — “No one would claim that Lubitsch’s German films were more important than his American ones (cf. Fritz Lang).” This was Richard Roud’s response to my piece “Ernst Lubitsch: German Period” in his Cinema: A Critical Dictionary. One could indeed ask...

Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.

Jan 29, 2001 — In Michael Powell and Emeric Pressburger’s drama, the characters abandon their twin faiths, in God and the British Empire, and turn themselves over to more ancient and dangerous powers.

Oct 9, 2000 — One of the most meticulously crafted supernatural fantasy films ever made, Masaki Kobayashi’s Kwaidan (1964) is also one of the most unusual. While such classic black and white chillers as The Uninvited, The Innocents and The Haunting teasingly speculate on...

Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Sep 8, 1998 — Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.

Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.

Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.

Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...

Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.