The Criterion Collection
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
The Daily
Jan 29, 2018 — “It is an altogether extraordinary life, the stuff of epic,” writes Simon Callow, having just taken us from milestone to milestone in the first fifteen paragraphs of an outstanding piece for the New York Review of Books. “And now, it...
The Daily
Jan 28, 2018 — The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll find...
Jan 26, 2018 — We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...
The Daily
Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....
The Daily
Jan 25, 2018 — Over a month ago now, we posted the first round in the ongoing series of lineup announcements from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. And that round revealed the first eleven titles...
On the Channel
Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.
The Daily
Jan 22, 2018 — Twenty-three titles have now been set for the Competition of the sixty-eighth Berlin International Film Festival, and the Berlinale’s promising twenty-four. So while we await the mystery title, here are the five that have been added today, along with another...
Jan 21, 2018 — “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New England woman who was...
Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...