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Feb 9, 2018 Catching up with notable recent interviews, we naturally have to begin with the one that’s sparked so much crossfire for a full week now. Last October, Uma Thurman declined to comment on the #MeToo movement because “when I have spoken...

Feb 8, 2018 “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...

Feb 7, 2018 Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...

Feb 7, 2018 “Paul Clipson, the San Francisco-based experimental filmmaker once described as a ‘poet of cinema,’ died unexpectedly Saturday at the age of fifty-three,” reports Kevin L. Jones for KQED. “Clipson made dozens of short films and collaborated frequently with experimental musicians...

Feb 6, 2018 “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...

Feb 5, 2018 In this excerpt from a supplement on our release of G. W. Pabst’s Kameradschaft, scholar Hermann Barth explores the painstaking work of set designer Ernő Metzner.

Feb 5, 2018 The World of Apu is a new multi-lingual, bimonthly online film magazine whose first issue appeared last November. The new second issue features Rafaella Britto on Satyajit Ray’s “most gloomy film,” The Goddess (1960), K Balamurugan on Shanjey Kumar Perumal’s...

Feb 5, 2018 This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...

Feb 2, 2018 Tell Me: Women Filmmakers, Women’s Stories opens today at the Metrograph and runs through February 15. “Programmer Nellie Killian’s selections, which span more than three decades and a wide range of documentary styles, include fascinating titles by directors with a...

Feb 1, 2018 The Tracking Board’s Jeff Sneider hears from “multiple sources” that Clint Eastwood—seen above in Gran Torino (2008)—is “circling” The Mule, a project based on Sam Dolnick’s 2014 article for the New York Times Magazine about Leo Sharp, a ninety-year-old courier...

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