The Way We Are

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...

May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Apr 25, 2019 — A guide to the guides to this year’s edition.