The Criterion Collection
Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...
Nov 7, 2005 — Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...
Essays
Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.
Oct 24, 2005 — Mirroring changes in awareness, politics, and lifestyle occurring across the globe, the chanbara (or Japanese swordplay film) underwent a significant metamorphosis in the early 1960s, acquiring a decidedly more radical spirit. Seemingly without warning, groundbreaking cinematic styles from beyond the...
Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.
Aug 22, 2005 — Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.
Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Essays
Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.