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Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.

Feb 12, 2020 — If you were born in Mexico City in the second half of  the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...

Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...

Feb 11, 2020 — The most deeply personal film of Alfonso Cuarón’s career, Roma imbues the director’s own childhood memories with the epic sweep of history. But for all the technical virtuosity and monumental scale on display in its set pieces, the movie—which joins...

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)

Feb 7, 2020 — This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!

Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...

Jan 31, 2020 — This week: Scorsese’s actresses, Paul Schrader’s plans, Lynne Sachs on Godard, Ritwik Ghatak’s rising reputation, and Bong Joon-ho everywhere.

Jan 31, 2020 — The abortion drama slated for the Berlinale’s competition is being met with strong reviews at Sundance.