The Criterion Collection
Essays
Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.
Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.
Essays
Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Essays
Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.
On the Channel
Aug 3, 2017 — In honor of one of the great leading ladies of French cinema, who passed away earlier this week, the Criterion Channel features ten of her most memorable performances.
On the Channel
Nov 17, 2016 — Despite its reputation as a popcorn genre, science fiction has been an exciting frontier for some of cinema’s most innovative and ambitious masters. For Auteurs in Space, a Criterion Channel series we just premiered today, we’ve gathered a lineup of...
Sep 23, 2016 — Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...