Jorjamado no cinema

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”

Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.

Dec 3, 2018 — Yorgos Lanthimos’s period romp wins a record ten British Independent Film Awards, and John Waters picks his ten favorite films of 2018.

Nov 29, 2018 — Repertory Picks Tonight at 7, Minneapolis’s Trylon cinema will give over its single screen to Godfrey Reggio’s 1983 Koyaanisqatsi. Drawing its title from a Hopi term meaning “life out of balance,” the experimental, fiercely poetic film indicts the excesses of...

Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...