The Criterion Collection
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...
Features
May 7, 2015 — Movie comedies about moviemaking through the decades
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Essays
Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.
Jan 12, 2015 — The author remembers the late filmmaker.
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Jun 10, 2014 — Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...