Back To Search

Will You Be There

Aug 6, 2013 If you’ve seen Boogie Nights, There Will Be Blood, or virtually any other film directed by Paul Thomas Anderson, you know that he is enamored of ornate tracking shots. So it’s no surprise that he’s a fan of Max Ophuls,...

Jul 23, 2013 Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...

Apr 23, 2013 Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Jul 6, 2012 Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...

May 29, 2012 Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.

Dec 6, 2011 Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

Oct 24, 2011 “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...

Jul 6, 2011 Cinephilia was the buzzword at this year’s Edinburgh International Film Festival. There’s nothing out of the ordinary about that, of course, but the 2011 edition (the festival’s sixty-fifth—it’s the oldest continuously running film festival in the world), which ran from...

Jun 14, 2011   The dance along the artery The circulation of the lymph Are figured in the drift of stars —T. S. Eliot, Four Quartets   The year is 1954: a fabulous bit of film history is about to unfurl. Grips are...

Apr 12, 2011 The following is excerpted from Melville on Melville, a book-length interview by Rui Nogueira first published in 1971. How do you feel about your twelfth film, Le cercle rouge? Since there’s no knowing if there will be a thirteenth, l...

Current Page
14
of 217

You have no items in your shopping cart