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We Have Only One Life

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Jul 5, 2020 Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...

Jan 24, 2020 All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...

Jan 2, 2020 Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.

May 29, 2019 In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...

May 21, 2018 W hether she’s pushing herself to new heights on stage and screen or nurturing her passions as a painter and poet, Juliette Binoche is as creatively voracious now as she’s ever been. Her combination of strength and disarming vulnerability as...

Oct 7, 2017 “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

May 25, 2017 “It’s baffling that Jacques Doillon’s Rodin was granted one of the main-competition slots,” writes Manohla Dargis in her latest dispatch from the Cannes Film Festival back to the New York Times. “A handsomely mounted waxworks, it might have made sense...

Apr 10, 2017 An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

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