The Criterion Collection
Jul 13, 2010 — At the author’s request, Japanese names are given here in their traditional form: surname first. Ozu Yasujiro’s personal feelings about Japanese militarism in the 1930s and 1940s are not on record. Perhaps, like most people around him, he accepted the...
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...
May 20, 2009 — The title alone screams incongruity. Shohei Imamura’s 1961 black-and-white caper movie Pigs and Battleships bursts with the confusion and exuberance of a cross-cultural encounter. In its lively portrayal of enthusiastic Japanese locals welcoming the U.S. Navy on R&R to the...
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.
Essays
Apr 14, 2008 — Allen Baron’s stark, moody Blast of Silence (1961) is a movie of many strange distinctions. It’s among the last of the true film noirs, those fatalistic black-and-white urban crime dramas that darkened the American screen so gloriously in the years...
Essays
Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Aug 12, 1991 — It is 1945. For the first time in four years, the Southern Pacific stops in Black Rock. A one-armed man named John J. MacReedy (Spencer Tracy) steps off the train. This brooding stranger makes the few residents who inhabit the...