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The Room Next Door

Jul 22, 2015 Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.

Nov 28, 2010 “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Jul 26, 2010 The Story of a Cheat: Breaking the Rules While most filmmakers arrive at their profession already possessed of a vigorous love of cinema, Sacha Guitry saw the form, at least at first, as a necessary evil. Paris’s most popular and prolific...

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Feb 18, 2008 At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .

Nov 30, 2006 We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 19, 2026 “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...

Jun 17, 2025 Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

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