The Criterion Collection
Essays
Nov 16, 2010 — To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Essays
Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
The Daily
Feb 12, 2021 — This week we’re revisiting Tarkovsky, catching up with Shelley Duvall, and listening to Edgar Wright and Quentin Tarantino talk movies.
Essays
Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
The Daily
Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.