The Criterion Collection
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
The Daily
Jun 27, 2023 — Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
The Daily
Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.
Oct 22, 2013 — This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.
Jul 27, 2010 — Americans got The Secret of the Grain. In France, they got La graine et le mulet (The Grain and the Mullet)—basically, “Couscous and Fish.” Depending on whose table you eat dinner at, the French title can seem as elemental as...
Jan 21, 2008 — The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...