The Criterion Collection
Essays
Aug 31, 2011 — A man and a woman are married in a small town. The wedding procession follows them to a canal barge, of which he is the master. His crew, an old salt and a young boy, await them there. The couple...
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...
Essays
Nov 22, 1999 — Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...
Feb 9, 2023 — New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”
Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Feb 23, 2017 — Pedro Almodóvar’s Oscar-nominated breakthrough revels in the complexities of the female psyche.
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.
The Daily
Dec 18, 2025 — At year’s end, we’re reading about the partnership and breakup of Alfred Hitchcock and composer Bernard Herrmann—and much more.
The Daily
Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.