The Criterion Collection
Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.
May 12, 2008 — This intensely personal work about a self-destructive young man would help alleviate Louis Malle’s doubts about his career.
Essays
Nov 15, 1999 — Great comedy cannot be confined within normally accepted boundaries of taste and sensitivity. The essence of the Pythons was that they were always ready to take on formidable, daunting subjects that others might find too dangerous to contemplate. The idea...
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Sep 2, 2017 — “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.