The Companion

Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.

Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Jul 3, 2025 — The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.

Jun 20, 2023 — In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.

Nov 30, 2021 — Maggie Gyllenhaal’s Elena Ferrante adaptation wins best feature, screenplay, and breakthrough director—and scores a nod for Olivia Colman, too.

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Jan 13, 2018 — New York. Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures is a two-part series organized by Dave Kehr, a curator in the film department of the Museum of Modern Art, in association with The Film Foundation and Paramount...

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...