The Call

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.

Sep 3, 2007 — Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...

Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.

Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.

May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.

Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

Jan 6, 2003 — “No one would claim that Lubitsch’s German films were more important than his American ones (cf. Fritz Lang).” This was Richard Roud’s response to my piece “Ernst Lubitsch: German Period” in his Cinema: A Critical Dictionary. One could indeed ask...

Nov 11, 2002 — A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

Nov 8, 1999 — The virgin of Orleans and those matters that surrounded her death began to interest me when the shepherd girl’s canonization in 1920* once again drew the attention of the public-at-large to the events and actions involving her—and not only in...

Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.