The Criterion Collection
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.
The Daily
Feb 11, 2026 — Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.
Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.
The Daily
Dec 5, 2025 — New issues of Cineaste and Found Footage Magazine are among this week’s highlights.
The Daily
Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.
The Daily
Feb 13, 2025 — Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.
The Daily
Nov 7, 2024 — Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.