The Criterion Collection
Feb 13, 2006 — Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.
Essays
Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.