The Criterion Collection
The Daily
Nov 29, 2017 — The National Board of Review, established in 1909 and now boasting over 100 members, has named Steven Spielberg’s The Post as the best film of 2017. The Post won’t open until December 22 and reviews are embargoed until this coming...
Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.
Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...
May 24, 2017 — “Love them or hate them, the films of Bruno Dumont never cease to confound,” begins Jordan Mintzer in the Hollywood Reporter. “For a long time the 59-year-old auteur was known for his uncompromising—and uncompromisingly bleak—early works like The Life of...
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Essays
Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket...
Essays
Mar 29, 2011 — As the only film of a Gilbert and Sullivan opera brought to the screen with the participation of the D’Oyly Carte Opera Company, Victor Schertzinger’s 1939 Technicolor The Mikado is a unique specimen; however one rates it, there is nothing with...
Mar 22, 1993 — Elizabethan prodigal prodigy Christopher Marlowe, whose tantalizingly brief life ended in political assassination, wrote a history play, in the mid-1590s, about the 1327 political assassinations of England’s Edward II and his lover and boyhood friend, Piers Gaveston. Rarely performed, Edward...
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.