The Criterion Collection
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
The Daily
Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.
Jan 18, 2019 — Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...
Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...
The Daily
Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.
Oct 29, 2018 — Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.
The Daily
Oct 3, 2018 — Denis’s first feature in English—and her first foray into science fiction—stars Robert Pattinson and Juliette Binoche.
The Daily
Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.
On the Channel
Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.