New World

Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Jun 10, 2024 — The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

Jan 20, 2018 — We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...

Nov 30, 2016 — Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...

Jul 27, 2016 — Since his debut in the 1970s, Terrence Malick has remained one of American cinema’s most poetic voices, bringing a lyrical touch and philosophical reflectiveness to a wide range of stories and settings. In his 2005 historical drama The New World,...

Jun 21, 2010 — A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war,...

Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.