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Like You Know It All

Oct 30, 2018 Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.

Jul 4, 2018 In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.

Feb 7, 2018 Looks like we all missed it. Most of us, anyway. Way back, December 27, Craig Hlavaty reported for the Houston Chronicle that Richard Linklater has been working on a film set in the summer of 1969. And not even quietly....

Dec 22, 2017 “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Nov 12, 2017 On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...

Sep 1, 2017 “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...

May 25, 2017 Emmanuel Gras’s Makala has won the Grand Prix at this year’s Critics’ Week Awards. “The Sisyphean task of making charcoal in the Congolese countryside and then carrying it in overstuffed bags on an overloaded bicycle to a city that’s a...

Feb 6, 2017 In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Jun 29, 2016 In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

May 6, 2016 The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.

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