The Criterion Collection
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Essays
Nov 23, 1998 — Paul Morrissey’s cult classic has obvious appeal for the lover of Grand Guignol—but it equally addresses the thoughtful.
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.
Feb 12, 2007 — In this classical whodunit made just after the close of World War II, swirling sexual frustrations and resentments find expression in a series of apparently motiveless murders.
Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.