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High Note

Many Happy Returns

The Daily

Nov 6, 2020 A new restoration of Joyce Chopra’s Smooth Talk, the return of Sophia Loren, supercops in the 1970s, and Costa-Gavras’s Z are on our minds this week.

Oct 20, 2020 Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Borderline Week

The Daily

Sep 17, 2020 Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Aug 18, 2020 A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

Aug 3, 2020 The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Jul 14, 2020 Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...

Jun 23, 2020 Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....

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