Glass

Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.

Jan 26, 2021 — Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...

Jan 6, 2021 — “Of the various insects that like to make their home in our houses, certainly the most interesting, for her beautiful shape, her curious manners, and her wonderful nest, is a certain Wasp called the Pelopaeus. She is very little known,...

Dec 29, 2020 — Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Dec 15, 2020 — Steve McQueen’s Small Axe has emerged as one of the major cinematic events of the year.

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Nov 5, 2020 — Performances Whenever I think of the iconic Bengali actor Supriya Choudhury, the first thing I recall is not her face—with its high cheekbones and large, kohl-rimmed eyes that often drew comparisons to Sophia Loren’s—but her voice, disembodied, tearing through the...

Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...

Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.