The Criterion Collection
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
Sep 5, 2017 — “Apparently the word refers to an actual traumatic state caused by getting lost in a forest,” begins Jonathan Romney in Screen. “However, if the title Woodshock leads you to expect a horror movie about the results of bad acid at...
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
May 6, 2016 — The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.
May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.
Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.
Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.